Thursday, July 21, 2016
Tuesday, June 21, 2016
Otti Kitzler, 1942-1978, lived and worked in Vienna. At an early age he began to play the trumpet, years after he got to know Jazz, chewing gum and chocolate introduced by American soldiers. His parents supported him in becoming the best Jazz trumpet player. In 1964, he won the Jazz Festival of amateurs as the best solo musician in Austria. Studio recordings, the production of an EP and LP followed. His worldwide fame and success was also supported by "duells". These competitions of trumpet players profiled him in permanent competition in the fight for the top. Otti was the founder of Barrelhouse Jazzband 1959 in Vienna. Whether he practiced, played concerts or with his friends, friends and family had fun, and he was always "Hot Otti" with a perfect hearing, physical strength and breathing techniques to generate air columns and to shape tones with lips. The aim is a biographical documentary film about my daddy Otti, the analysis of backgrounds of his life; to show references to and integration into the global music and jazz scene; the reference of his passion for music of African origin and earlier jazz musicians' interpretations and auditory events in the first jazz clubs; but also his ambition to collect unheard tracks from Africa at that time. Traditional music, songs, instrumental performances and musical experiments influenced his musical career.
The financing of the project with crowdfunding makes it possible to let the audience participate in the success of the project: Working in archives, papers, documents, and activating the contacts should be maintained, firstly. To create a project base there are needed assets to promote collections of material, content creation, more conceptual work, international correspondence, telephone calls on * .mp3 and research. Image and sound material can be localized, as well as other media sources. Any license fees are separately loaded and negotiated. Here is the link: https://www.mycrowd.at/projects/1630
Author © Sybil Amber © 6/21/2016 06:58:00 PM
Friday, September 12, 2008
This is an announcement of my A. L. J., the Anthropo Logic Journals at anthlogjour.info, to participate in writing send your social and cultural anthropology related article by registering.
© Sybille Amber: Intellectual Property 2005/2006/2007
Author © Sybil Amber © 9/12/2008 10:29:00 PM
Sunday, May 04, 2008
Sunday, December 02, 2007
This is an important chapter relating to the internet. Please read the handbook provided by the Reporters Sans Frontieres under this link: http://www.rsf.org/rubrique.php3?id_rubrique=542. Julien Pain is the head of the Internet Freedom desk at this organisation, he writes,
Bloggers need to be ananonymous when they are putting out information that risks their safety. The cyber-police are watching and have become expert at tracking down "trouble-makers". [...] This advice is of course not for those (terrorists, racketeers or pedophiles), who use the internet to commit crimes. The handbook is ismply to help bloggers encountering opposition because of what they write to maintain their freedom of expression."
In the handbook follows a list of blog tools and platforms, some hints to promote a blog and a report about internet censorship. Reporters Sans Frontiers offer a blog service here.
Monday, November 26, 2007
A grinning minister in a round table broadcasting. Photos of a violated baby. Officers and doctors, who lack the ability to judge. This is Austria. This is, what they call care. It is what they do to human beings, who were violated. I am deeply concerned with the fact, that Human Rights are disregarded in Austria.
I feel despise, contempt and scorn for people, who cannot even protect a baby from violence and abuse. By eyesight I would have been able to decide, that this little child must have been kept in custody.
And, I would have done it. No matter which aftereffects. I do not need to be a heroine to act like a human being would.
Monday, November 19, 2007
This Joomla! software is amazingly flexible and simple. I like the environment to handle new installations easily. I read an article about CMS systems, recently, and I was glad I chose Joomla!, Typo3 would have been too much for a starter. I am still searching for extensions and plugins. However, I acquired my licence some weeks ago and now I am a licenced vendor of my artwork. My shop is down for maintenance these days and I learn how to handle PHP, which seems to be a cool scripting language to a more secure web.
Wednesday, November 14, 2007
It is as it always was: I dislike the open source software. It works for a time and due to change of password, functions and pages do not work as they should. It was ok for me with some time, as long as I did not really need it and I did not want to build a life on it. Now, well, I should have known before, I changed my password and simple functions refuse to work like the shopping cart. I already prepared the badge with I-love-my-host on it, well, nada, niente, nothing. I cannot even change passwords without loosing my installations and implementations of a month. I have to remake all the work. Yes, of course I backed up, but all the edits again? Thousands of files? They promised a complete software package and I end up spending my day with editing, because the stuff has to be installed new.
I simply do not have a thousand euros for buying a shop software ... I keep on tuning.
Tuesday, November 13, 2007
I wanted to add some thoughts to my Inner Senses:
Of course, all human senses are "within". With Inner Senses I mean the part of anticipation, that is not visible in a physical body. My "inner eyes" or "inner ears" are an imagination to capture what is there. It is called synaesthesia, when feelings are connected with other sensations. This connection and communications happens haphazardly in content and with me, all the time, when I am not under pressure of stress, rush or other emotional tensions. Synaesthesia is not an illness or disability, but is in contrary an ability to connect thoughts and impressions, pictures and music, however. Famous examples are the painters Kandinsky, with his most beautiful abstracts, or Joan Miro, as much as I know:
© Sybille Amber: Intellectual Property 2005/2006/2007
Monday, November 12, 2007
I can "see" the pictures I want to paint, they are ready in my mind. Sometimes parts of them are ready and I adapt these parts to make a whole. Sketches of parts may be seen here, in my ThruOut The World blog. I only sketch what I want to remember, the theme, but not the colors. The colors come by themselves, practically in my dreams. I learned how to make these vision stay in my brain, aka remember. It took me years to acquire the ability to direct my dreams into a direction I wanted to explore, or not. I let dreams go, when I think, I should learn something about my subconscious. So the idea came up, I would want to paint my daddy in a very old manner, like Van Eyck did or the other painters from the Netherlands. I mean the technique, here. Then the picture changed: I will rather express what I feel about my dad and put a solid color construction under it. I do not really want to paint daddy in a naturalistic way, because there are many photos, videos and audio files available. What makes the picture essentially focussed on expression is what I understand from the movements of feelings and thoughts I have. The love, the thankfulness, the sorrow and grief.
Since I wrote about my inner eye, I would like to add my inner ear, too: These days and with an 8-track computer program, it is possible for me to materialize what I hear with my inner ear. This is how I composed the Song for John Lennon in October 2005. For his birthday, to thank the world and vibes and molecules never ending (and therefore have no beginning and end). It takes me some days to finish a song. Well, I thought this short text might help somebody´s inspiration. I will come up with another blog post about inspiration.
I finished my maintenance work and I revised some code for the Anthropo Logic Diary. I changed the sidebar from right to left, it looks more like a newspaper, now. Simple. I would like to learn how to install some fine, black lines. This is what I intended. I keep working on my website and shop, I paint. I started to sketch my daddy playing music, I was watching the videos I found, over and over. Our dad died 29 years ago. I want to express the feelings I still have (after so many years) for my daddy in an oil painting: I thought this was the perfect way to do this. I did paint in oil, earlier, but I re-read the chapters about building an oil on canvas. It will be a Jazz painting, like I saw them, when I was a child. I had the canvas standing freely for a couple of months, now, to test it: It is a pre-manufactured white canvas. I sketch what can "see" in my brains with my "inner eyes", I do this on the canvas with ochre. No limits, no programs, just Jazz, feelings, color and me. I will present it in my gallery, I hope to be ready by spring or early summer.
Winter time has come and I rarely need to go the bureau. Instead of this I occupy myself with tricking out the shop software and adding lots of contributions. I added an Amazon media store but yesterday, it is here and I was able to integrate it into the php-files. Of course I zipped it and added it to the contributions site at osCommerce.
Tuesday, November 06, 2007
Points one to seven worked through: http://20stickyposts.blogspot.com/2006/07/low-sidebar.html. This blog has a lot of tips for blog writers, I will keep writing about this here, perhaps it helps somebody else...Read this article and go through the clicking on each post to see where the sidebar would be down. With me here it was a single wrong closing tag, which should have been < slash div> and was < slash a>. That caused all the problems...
Luckly I saved all codes, I will get the blog up and running in two days again...Enjoy reading!
© Sybille Amber: Intellectual Property 2005/2006/2007
Author © Sybil Amber © 11/06/2007 08:25:00 AM
Saturday, November 03, 2007
Author © Sybil Amber © 11/03/2007 09:38:00 PM
Sunday, October 28, 2007
© Sybille Amber: Intellectual Property 2005/2006/2007
Monday, October 22, 2007
... the Open Source software. I learn php-scripting and today I managed to configure some files on MySQL server. Anyway, the Open Journal Software does not yet work, I could not define the ReadMe properly. I enrolled to participate in the support forums, to install my journal. I implemented a cms system to my commercial site, some hours went by until I realized I have to place a line of code rather above the other definition rows. Tomorrow, I will design some banners and buttons, plus merge my gallery with the osCommerce software: Many useres have stored their contributions and updated them. I browsed thousands of them, recently, although I did not find a template I liked. I will change colors and the frontpage text and - sufficiently in html. For now. I will write about how to deploy php-files, properly, I find the documentations quite confusing for beginners.
Tuesday, October 16, 2007
Today I saw a card: It is God creating Adam, whereas Adam stands for the human beings. Michelangelo Buonarotti was mentioned by Kurt Ingerl, when he told about his approach of creating monuments. He used the acronym BIK, which meant Buonarotti-Ingerl-Kolig, whereas Kolig was Kurt´s teacher. Kurt died some years ago, much too early, and nowadays I watch his huge facade near the place I live opposite the Vienna Stadthalle, where it decorates the Electric Energy Services house. It must have tons and it is computer design dating back to the early 70ies.
A group to find out more about the Dresden Museum of Ethnology and Institute was formed during the first part of the seminar concerning the german-speaking regions during WWII. The Dresden Museum keeps an old collection since 1560, which was found by Kurfuerst August of Sachsen. The Inventarien describe these collections furthered by the King of Poland, who was August the Strong since 1794. Adolf B. Meyer founded the ethnographical department 1875, to be a part of the Museum of Natural History. Meyer had close contact with Rudolf Virchow and Adolf Bastian, two scientists important for the german-speaking countries. Remember Adolf Bastian and his work with Francis Boas, who later moved to North America. During WWII Dresden was destroyed, but luckily most of the museum collections were saved in time. As early as 1946 the anthropological collection arrived in the Museum.
Here is an excerpt of the time table, the time in question is only touched with some sentences on the website http://www.voelkerkunde-dresden.de/site.php?g=geschichte&css=fc (2007-10-16 04:58 PM):
1940 - 1945
Auslagerung von Archivunterlagen und Sammlungen. Vernichtung eines Teils der in Ausstellungen verbliebenen Großobjekte während der Bombardierung Dresdens.
Nach Beendigung des II. Weltkrieges Trennung der Museen für Tierkunde und Völkerkunde. Das Museum für Völkerkunde wird der Hauptverwaltung der Staatlichen Museen, Schlösser und Gärten im Lande Sachsen unterstellt.
This Museum of Ethnology has a Wikipedia article here http://de.wikipedia.org/wiki/Museum_f%C3%BCr_V%C3%B6lkerkunde_Dresden (2007-10-16 05:00 PM), where the same contents, as above mentioned, are repeated. Here is a list of Departments in Germany http://www.ifeas.uni-mainz.de/ethno/links.html#2 (2007-16-10 05:06 PM), this already of big help for students in the seminar held by Professor Gingrich at the University´s Department for Social and Cultural Anthropology.
Monday, October 15, 2007
Gingrich, Andre (2005) The German-Speaking Countries. Ruptures, Schools, and Nontraditions: Reassessing the History of Sociocultural Anthropology in German, In: Barth/Gingrich/Parkin/Silverman, Sydel (2005) One Discipline, Four Ways: British, German, French, and American Anthropology. Chicago: Chicago University Press, PP. 61 - 153
1 Prelude and Overture: From Early Travelogues to German Enlightenment
2 From the Nationalist Birth of Volkskunde to the Establishment of Academic Diffusionism: Branching Off from the International Mainstream
3 From the Late Imperial Era to the End of the Republican Interlude: Creative Subaltern Tendencies, Larger and Smaller Schools of Anthropology
4 German Anthropology during the Nazi Period: Complex Scenarios of Collaboration, Persecution and Competition
5 Anthropology in Four German-Speaking Countries: Key Elements of Post-World War II Developments to 1989
The following text is an excerpt and overview of the first part in the first chapter to explain critique and research approach.
Ad 1) After George Stocking, the presentist approach to Anthropology nowadays implies criticist and internationally oriented positions. Professor Gingrich uses nontraditions "to refer, on the one hand, to dispersed, hidden, and half-forgotten treasures with little continuity and, on the other, to certain schools with a lot of continuity that, however, do not represent any positive tradition today" (Gingrich 2005: 61). The basic implications of a presentist stand are:
- Historical traditions that had consequences for sociocultural anthropology as perceived today in an internationally valid sense
- The international, transnational and global dimensions of today´s anthropological discourses and debates
- The linguistic and temporal limits of examining the historical record of anthropology in German.
There are three critical consequences of the critical insterest of Professor Gingrich´s approach outlined
- The explicit embracing of the broad set of values to share, which are secular democracy and humanism. This would necessitate precise ideological criticism and careful, distantiated evaluation
- The reassessment of hegemonic traditions of the past with relatively little interantional relevance. Peripheral and subaltern traditions never received local recognition and they appear much more interesting now, than what was respected and taught then.
- A new consideration of the extremely hierarchical nature of academic institutions in the German-speaking countries, "these hierarchical academic positions answered to wider political interests much more explicitely than academic positions elsewhere" (Gingrich 2005: 63).
This part of the book concerning the German-speaking countries goes on with subchapters titled The German Enlightenment, Enlightenment Explorers, Language Studies and First Concepts, Limited Consequences.
Sunday, October 14, 2007
Dear Andrea, it is not strange: People on video or TV or on a stage are like you and - well - me. Just ask yourself: Did you have this feeling, when you met me? No, you didn´t, because you did not know I was on TV, on stage or in videos. It makes no difference, most likely. It will happen to you more and more, because videos on YouTube and the like will be a standard in the future. Do you have this feeling, when you meet somebody, who has a website? Probably, no. And this is only a broadcast, too. See? You ARE one of the broadcasting people, too! It doesn´t even adhere to money or richness or reputation: It is nothing, when you are not payed for your work, I tell you. It is a job like every job else. ... Kind regards, Sybil
In fact it is so, that all those stories are not true. Whatever story, one might think, "Well, she was an actor and she was on TV" or "She has recorded two LPs"; I take these examples from my experience. I do not know what is strange by "seeing" somebody on the screen, you know. I am used to people, who treat me differently, because in a moment they know this or that, let me say, "I know your dad, he was a talented musician". The point is, that it makes no difference, to perform means to work. It is a job like every job else. It is not even better paid.
My motto always was, "Be famous and rich, not a bitch", this is a line of a song text performed by Hannes and my brother, and their band. Just strat your acting course or perform with your band and try to think, "What you see is what you get". This is what I did. People would destroy you, if you were all open and what they would call great. Hundreds and thousands of people attempted to perform, if this is the magic ... I was in Hollywood, because I believed in me and what I did, and you know something? The best police in the world, the officers of the LAPD Hollywood did to help me out! You know, Andrea, everybody is a little human being in this world, a menshlyne, somehow. Do you think it is a kind of courage you assume yourself to have a lack of? Do you adore creativity, somehow? Andrea and all other readers, be it as it may, you have your life and you are your own boss ... this is what I wanted to add. Have questions, go here to the forum, I will answer as good as I can.
I would like to announce my domain, today: Finally, I got one! It is called sybilamber.com, because I would want to use it for commercial purposes. My start page is not yet the one I wanted, I have to get used to SQL with PHP and several Open Source software. I still "fight" with some installations and files, plus I have to learn how to get prospective consumers for my shop interested. I setup a forum and a gallery, recently. I learn embedding *.php - files and I try to setup the OJS software. Anyway, it does not work. Does somebody out there have an *.sql - file to configure the database on MySQL? I found a wiki called VAnthropology, which stands for Virtual Anthropology in the widest sense. I appreciate your guestbook entry or discussion ... I will design some banners and buttons, as well. I hope you like my site and work.
University seminars and lectures started again. I will enjoy a seminar concerning the "german-speaking" institutes during WWII, to which I was admitted for. It is a blocked seminar, so attending is easily manageable. An overview of the history in Social and Cultural Anthropology I not only gained during lectures, but also in a previous seminar work group concerning students of the Vienna Institute. Here is a list of my work and collected links or texts relating to the previous seminar:
- Ia: Korrespondenz
- Ib: 1956
- Ic: 1953
- Id: Schebesta
- Ie: Einleitung
- If: DJW
- Ig: Fragebogen
- Ih: DOeW Literatur
- Ii: Universitaetsarchiv
- Ij: Einladung
- Ik: Wiesbauer- Hohenwart
- Il: OeAW
- Im:Jagellonen University Archives
- In: Wiener Messe
- Io: Zeitzeugen Dr. Gingrich
- Ip: Sulzmann
- Iq: Lexikon Klee
- Ir: Hampl
- Is: Henninger, Krampflitschek, Mylius, Schweeger- Hefel
- It: Center fo Military History
- Iu: Ariadne
- Iv: Wiesenthal Center
- Iw: Gall
- Ix: List
- Iy: Dr. Portisch
- Iz: Personenstand
- Iaa: Institutsarchiv
- Iba: Aspekte
- Ica: Boker Tov
- Ida: Schreibweisen Pluegel
- InterviewMeeting: 1, 2
- Universitaetsarchiv Wien: 1, 2, 3, 4
- Context XXI
- Muehlfried: R. Bleichsteiner
- Rabinovici, Doron: Instanzen der Ohnmacht
- Shoa. De
- Shoa Foundation
I hope I can complete my work, soon. I got lots to do, a. to prepare the new semster, b. for the tourism bureau and c. to prepare my ceramics shop. I will have to acquire a licence to run the online business, because I have to make a living.