Okto: AnthrOkto?

Anthropologic Diary by © Sybil Amber 2005 - ∞
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10/05/2007 01:59:00 PM
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Malinowski´s language is quite antiquated. He uses terms like "primitve men", a phrasing not used in anthropology, anymore. The volume is easy to read and very interesting, Malinowski refers to many early anthropologists, like Lewis H. Morgan or James G. Frazer. He explains his view of science thoroughly and concedes a kind of scientific spirit to early human beings. Here are the contents for you:
Contents
Preface (Huntington Cairns)
A Scientific Theory of Culture
I. Culture as the Subject of Scientific Investigation
II. A Minimum Definition of Science for the Humanist
III. Concepts and Methods of Anthropology
IV. What is Culture?
V. Theory of Organized Behaviour
VI. The Concrete Isolates of Organized Behavior
VII. The Functional Analysis of Culture
VIII. What is Human Nature?
IX. The Derivation of Cultural Needs
X. Basic Needs and Cultural Responses
XI. The Nature of Derived Needs
XII. The Integrative Imperatives of Human Culture
XIII. The Instrumentalyl Implemented Vital Sequence
The Functional Theory
Sir James George Frazer
Index
The book contains Bronislaw Malinowski´s outlines on the theory of culture. His approach is functional and in the chapter General Axioms of Functionalism he provides a list of axioms:
A. Culture is essentially an instrumental apparatus by which man is put in a position the better to cope with the concrete specific problems that face him in his environment in the course of the satisfaction he needs.
B. It is a system of objects, activities, and attitudes in which every part exists as a means to an end.
C. It is an integral in which the various elements are interdependent.
D. Such activities, attitudes and objects are organized around important and vital tasks into institutions such as the family, the clan, the local community, the tribe, and the organized teams of economic cooperations, political, legal, and educational activity.
E. From the dynamic point of view, that is, as regards the type of activity, culture can be analyzed into a number of aspects such as education, social control, economics, systems of knowledge, belief and morality, and also modes of creative and artistic expression. (Malinowski 1964: 150)
Further on Malinowski states a cultural process, in which human beings are involved. He names three dimensions of this cultural process, which are artifacts, organized groups and symbolisms, whereas Function and form are related (Malinowksi 1964: 155 ff.) In his chapter Function defined, it is a very short one, Malinowski explains his approach through concepts of use or utility and relationship. Later Malinowski speaks of functional isolates, he values legitimate for cultural analyses.
Malinowski, Bronislaw (1964) A Scientific Theory Of Culture. And Other Essays. New York: Oxford University Press
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9/27/2007 08:59:00 PM
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The following text is going to line out important parts of Maurice Godelier´s lecture, the name of whom I will be abbreviating with G. Professor André Gingrich translated G.´s "Wiener Vorlesungen", id est Vienna Lectures, from the French language into German. I attempt to translate the important parts into English. The bibliographic data - for students and librarians - published in the German edition are:
Godelier, Maurice (1991) Wird der Westen das universelle Modell der Menschheit? Wien: Picus Verlag, ISBN 3-85452-304-1
The Vienna Lectures were - and are - a series of events to present research in relation to the future of society, progress and tendencies in social issues, and the opportunities of cultural and social developments. Having started in spring 1997, these series of lectures became an intellectual jour fixe. Opinion leading and innovative texts were furthermore published in print to serve a wider audience.
Godelier speaks about his work as an anthropologist, which he conducted from 1967. He observed the transformations to be imposed on the Baruya, a tribe living in Papua - New Guinea. These changes in everyday life and the way of thoughts started 1951, when the Baruya were found on the island. Later, namely 1960, the Australian government colonized them. In 1975, the Baruya were declared independent and UN membership turned them into witness bearers of westly progress in this part of the world. Godelier asks then,
But did not the fall of the Berlin wall initialize a new westernizing progress from November 9, 1989 on?
Godelier argues, that the westernizing process of expansion not only comes from the West, but he also names Japan and four or five little dragons as factors. Japan and these dragons, he mentions, have preserved their political sovereignity and cultural identity; whereas Buddhism has played a decisive role. The westernizing progress goes on and on without transporting all elements that are associated to it. Godelier queries
What is the West in its deeper sense today? What are the underlying elements of it?
Godelier means elements associated with the West, that could be dissociated and combined anew - in social and cultural reality and in other parts of the world. As for Godelier, the West is a mixture of the real and the imaginative, of facts and normative forms, of modes of action and modes of thought; all of which result in an affecting and scuffing pool of energy to move around three axes. These axes are three institutional blocks inheriting their own logic: Capitalism, parlamentary democracy and Christianity. The westly strenghts apply to a combination of three realities, that appeared in different times in history and paired rather late. The West is not a modell without flaws, in contrary, complaints come from all over the world: The West colonizes, conquers, is rich and sucks resources; eyes are closed, when liberties are absent, in case regimes serve or ally with the West; in the West coexist rights and disparity, and some are of the opinion still, that capital accumulation base on the legal exploitation of work. Godelier then focusses on tribal societies by asking
What is a tribe?
He explains, that a tribe is a local society, that comprises of ensembles of kinship groups. These groups of kin feel unified by social organisation, modes of thought, rules of marriage and defense and utilization of rescources in a specified territory. So the tribal identity is a blended identity, compound by social and cultural endowment, as well as by identification of conquered or heritable territory, which has to be given to descendents. Generally, Godelier classifies two criteria in relation to tribal societies:
a. Tribes, who lived sovereign or were already integrated in a precolonial state under the governance of a predominant tribe.
b. Via the segmentation of power, namely allocated between more or less equivalent groups, or in the hands of some on top of a given society and hereditary.
The Baruya found in 1951 were sovereign rulers on their territory. Ritual and political power was massed in the hands of associations, which traced their descent to conquerer - groups. Godelier focuses his method on the formulation of processes, that describe the westernizing; its stages and forms, which are easily traceable and reproduced somewhere else. The Baruya live in the center of New Guinea, in the mountains 2000m high. 1951 they were 1800 people having lived in approximately 12 little villages. Twelve clans, eight of them belonged to and were descendends of the conquerer group, cultivated their grounds using slash-and-burn. Additionally, irrigations on terraces and pig breeding, as well as trading salt from plants, supported them. Women cared for the pigs, men went hunting to strengthen their predominance. The society was classless, but not egalitarian organised. The westernizing process covered four stages under the influence of several forces.
Already before 1951, the Baruya acquired steel axes from Sheffield and Solingen without knowledge of the industrial Europe and led to economic and material dependence. A plane and some troops led to the imagination of a big fire bird in which divine entities looking like human beings lived. 1951, when Jim Sinclair and his troops entered the woods nearby, the Baruya were subjected to military forces. In 1960, an officer and his troops entered the valley of Wonénara to build trajectories and the local tribes were registered and deprived their right to fight each other. The officer introduced the new order in the name of Her Majesty Queen of England. Many incidents led to the fact, that the Baruya lost their right to apply their own laws on their own territory; they lost their political sovereignty and cultural autonomy. As soon as peace was instituted, they were counted and systematically controled. They were confronted with the state, a sign of civilisation and human evolution.
In 1966, Christianity was established by missionaries, which brought schools and education for the Baruya. In 1965, the administration recruited 30% of the local men to send them to work at the coastal plantations. In 1967, when the troops arrived, an anthropologist arrived. An academic representing the West; the West was complete, so Godelier states. After modes of power established, there was going to be the power of knowledge.
The Brauya society changed and some of these transformations were accepted positively by the Baruya, like having peace, living in other places than the valleys, travelling by plane or driving trucks. Some women married to live in the cities. Godelier emphasises the change of basic structures of Baruya society in gender relationships: Men fear female impurity little and women the symbols of male predominance, nowadays. To the Baruya white people are no divine entities no more, but they stay predominant. In post-colonial times the Baruya refuse to accept commands or violence.
This transformative processes will go on and change the whole world without implying its three elements, after Godelier. Christianity is not the only intrinsic religion and there is none. Political democracy should be transformed into social democracy. Capitalistic economy and its wealthiness should be distributed more efficiently and juster. The West will triumph first in Europe, later expand to the East. Godelier finishes his argument with some questions:
Do we have to accept the negative, which we recognize in the West? Do we have to applaud or should we steal away on the tips of our toes? Why should we be contented with our situation? Do we know the end of history has come and we live in the best of all worlds?
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9/25/2007 07:19:00 PM
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The multi-cultural project has become a synonym for social failure and halfhearted sissyness of politicians, that rather restrict, than support social and cultural variety. I dwell, that I use mutli-culturalism and the multi-culturalist project in reference to miscarried politics in this (con-)text. If people use the term multi-culti or call for a multi-cultural leadership, something else is meant, as far as I am concerned. To me, they mean the playful and winning variety of a society from an emic view, from the inside, that lives in peace and who does not question for civics to prove who one would be; or which color of skin one had; or which religion one had chosen to believe in; or to which nation one belonged to; or which language one spoke; or how much money one had; these are all signs and symbols used to make a difference. I do not want to spin my discussion into Eco - istic semiotics, now.
If culture, after Geertz, is roughly a system of historically acquired/collected and interpreted symbols, the perception of variety and diversity supports people, who respect each other, because of differences explained, savored and respected. The multi-culti adjective stands for the joy and pleasure of respected differences. Authors or organisations calling for a multi-cultural society mean, that their and other cultures, societies and human beings should be accepted and respected and they speak from an emic view. From an emic view here, I mean, for instance, an author, who lives within a small-scale group within a dominating culture, who writes about a Multicultural Age. Id est Joana Bordas´s Salsa, Soul & Spirit: Leadership for a Multicultural Age, that will be presented in a Signing Event September 26, 2007.
I stress, that with the muticultural project(-s) I mean the failed implemenations of coherent laws and institutions in - not only Western - societies, and therefore I suggest a new approach by the means of cultural diversity and variety. I think, that a broader perspective of variety should bear acceptance and respect corresponding to cultures and resulting social issues. The discussion is not about multi-cultural tolerance or the finding of differences: The quest goes for respect of differences, even if they were not uttered, and for acceptance of otherness, be it Black, white, religious, poor, gender-related or any other sign or symbol of otherness. If a model of diversity and variety counteracts single-minded lines of thoughts and weak agency, these categories will be good enough to allow debates. The fact or quality of being diverse connotes cultural diversity, which denotes a noticable cultural heterogeneity: Human beings do not have to follow ideologies of some theory, because there are Human Rights to hold egalitarian societies together. I want to refer to recent discussions about building mosques: The media did not inform the public, correctly, which is the case quite often. Take the Viennese example: A given house is to be refurbished. One room will be equipped to say one´s prayers. So why do parts of the local population demonstrate against renovation and a religious center? I think the following is an outline:
To me the question arises, if enlightenment in all fields of society is at stake. It is, I am sure. I am looking forward to critique and comments. Moreover, I appreciate actions to support Human Rights and respect. Cultural diversity offers a range of possibilities, whereas mutliculturalism in my opinion rather limits opportunities by referring to only some notions of being human. So it matters, I assume, to talk about Cultural Diversity and manifoldness, and not to limit (endless) variety to multi, a countable number.
Quote of the Day:
Imagination is everything. It is the preview of life's coming attractions. - Albert Einstein
Addendum Breaking News 8.20 PM: Now, I saw Andrea was blogging about the Islamic Youth http://andreabenlassoued.at/?p=229, additionally there is an initiative out, by the Concerned Anthropologists!
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9/20/2007 04:07:00 PM
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Although I do not know what is meant by this question, "What happens when artists and anthropologists are asked to do something together rather than talk from the safety of their own practice?" by Anna Grimshaw, the CAA Workshop offers documentation on Art and Anthropology, as well as on featured objects. Artists and anthropologists connection is a fruitful entanglement, I think. Whether artists be inspired by science and anthropologists´ knowledge, like stories or other narratives, or anthropologists process their minds into artwork, the dialogues and communication, the dialectics of inputs and outputs create an area of prolific tension. So, do we speak of methods and approaches, or of results and effects? Or will we grasp the process of communication of artists and anthropologists and document what was produced? What does saftey of practice in this context mean? This essay On Art and Anthropology with a foreword by Pavel Buechler explains in Amanda Ravetz´s words, that "The challenge as I saw it was to enable participants to open up and explain their practice, while at the same time engaging as equal partners in an active process that would result not in art work or anthropology work so much as lay bare the kernels of each approach."
Long have artists adapted anthropological information in some way, see Gaugin, for instance. The artistic movements of the beginnings of the 20th century, too. Jazz musicians. As much as I remember there was Herbie Hancock playing with Burundi Black from Africa, back in the eighties. The scientists Sowah Mensah, David Fanshaw, ... Cultural fusion in music is called world music, nowadays. On the one hand one can easily find examples, namely artists referring to anthropology, on the other hand, when it comes to scientists applying or using art - ?
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9/18/2007 04:10:00 PM
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This is the Comité du film Ethnographique, which has the Jean Rouche Bilan in the Musée de l´Homme in 2008. There is an entry form and a statement about ethnographic film. The festival addresses professionals in Anthropology and cinema. Innovation is asked!
Jean Rouch was born in 1917 and died in an accident 2004. Rouch co-founded the Bilans, IMDb has his filmography and more performance data. Marcel Mauss was his teacher, and Rouch is the founder of the Cinema Verité: Direct interaction of the filming and the filmed mark this style of non-fiction film making, which includes reflexivity and the camera provocation to evoke veritable interviews.
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9/15/2007 07:43:00 PM
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The 2nd International Conference re:place 2007 focuses on the histories of art, media, technology and science. It takes place in the Haus der Kulturen der Welt in Berlin, November 2007. Some lectures are held, or rather workshops, covering technology, arts and refering i. e. to Digital Humanities in the Opening Session, classic Islamic Art to new media art in Panel 3, and so on. Panel 9 deals with cross-cultural perspectives on for instance African Digital Imaginaries. MediaArtHistory provides the scheduled program.
MAH lists authors and titles to create a repository for researchers, on the community list there is Anthropology found! Sheila Petty writes about Transnational Identities in the context of Cyberspace, Maria V. Giulietti dialogues over New Media Native Art, Tam County refers to concepts in pre-modern China, his paper is called From Nothingness to Technology. Mary L. Morbey considers Cybercolonialism and Cyberglobalization on topic, Martin Rieser has Locative Media and Spatial Narrative for us. Barbara Paul bears partial perspectives, transversal politics and situated practices as of multicultural feminism in mind. To register and access the EPapers one needs a valid EMailaddress and a password.
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9/15/2007 06:39:00 PM
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Please read this post on antropologi.info: Keith Hart and Thomas H. Eriksen: This is 21st century anthropology and the associated texts, like the speech.
2 About Mainstream
I would like to start my reasoning with a citation of the IG-History at the University Vienna. "In der Gesellschaft gilt das Dogma, dass Heterosexualität in allen Lebensbereichen die Norm darstellt und dass Abweichungen gegen diese Dualität nicht nur unerwünscht, sondern sogar bedrohlich sind. Gerade was die menschliche Sexualitaet anbelangt vertritt der Mainstream extrem verlogene Ansichten" (Institutsgruppe Geschichte under Antiheteronormativ). This says, that mendacious dualisms concerning sexuality adhere to the Mainstream of society.
I would not want to anthropologically investigate the mainstream. Society has enough of mainstream sources and testimonials, I think. And especially the Central European public I mean with it. I felt embarrassed having had a lecture about Swedish XMas decoration, some years ago. This is certainly not what I expect from Social and Cultural Anthropology. It is not, that I don´t like Sweden, I have learned Swedish for one semester, I admit - I only can read it, not speak - but: White, catholic or other christians and well living?
Nope. I prefer to learn and write about people, unheard and unseen, whelmed with bias. Well, just some thoughts... probably relationships and communication...
Center for 21st Century Studies: http://www.uwm.edu/Dept/21st/index.shtml 2007-09-03 5:21 PM
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9/10/2007 05:20:00 PM
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5 Blogs preferred in Social and Cultural Anthropology:
Congratulations, you won the Social and Cultural Anthropology Effiency Award!
Should you choose to participate, please make sure you pass this list of rules to the blogs you are tagging. Here are the rules:
1. If, and only if, you get tagged, write a post with links to 5 blogs that make you think,
2. Link to this post so that people can easily find the exact origin of the meme,
3. Optional: Proudly display the SCAE with a link to the post that you wrote. This is the image:
Please read this text on memetags and start your "5 Blogs preferred in Social and Cultural Anthropology" - list. The tag is - SCAE - to add as a blog tag.
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9/02/2007 09:16:00 PM
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© Amber, Sybil 2007 Anthropo Logic Journals.
© Sybille Amber: Intellectual Property 2005/2006/2007
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9/02/2007 04:12:00 PM
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Theory and research were presented in Vienna, July 17 - 19, 1982; the volume Town-Talk resulted from this coop to publish results on a worldwide level. Walter Dostal was the chair of the Vienna Institute, then, as is André Gingrich, today. The introduction prefigures The Global Approach, which is "the analyses of urbanism and urbanization on a worldwide level" with regard to The National and Regional Processes of Urbanization and Aspects of Urban Culture (Ansari/Nas 1983: 3 f.). Several papers explain various scientific approaches, "The approaches of the contributors cover a wide range of the study of urban urban phenomena: action-behaviourist, politico-economic, dependency and underdevelopmental, world systems, symbolic and aesthetic." (Southall 1983: 6) Aidan Southall formulates his interest in "Cities in Time and Space" (Ansari/Nas 1983: 7), and later he writes, "I would argue that in the post-industrial age urbanization is still concentration, but in a new sense, at a new level. It is no longer a local concentration contrasting urban and rural areas, but a global concentration corresponding to the global scale of the world capitalist system, in which even socialist countries are partially involved." (Southall 1983: 19) The author then explains what he means, "The concentration is no longer one of buildings, or bodies, or even of face to face relationships, but rather a concentrated network of electronically mediated relationships."(Southall 1983: 19)
Oshomha Imoagene analyses 1 The nature of West African cities, 2 Patterns of migration in West Africa, and 3 Urbanization and underdevelopment in West Africa. West Africa has long history of cultures, and so in urbanization, where with i. e. Yoruba, "In this places land was communally rather than lineage owned and individuals had rights to their share as long as theirs crops grew."(Imoagene 1983: 68)
Joyce Aschenbrenner and Kathryn Skinner present a paper about art traditions in urban communities of the U. S. A., where the suburbs were striken by poverty and development programs supported political and economic life, "For the artists in our research, the distinction between art and other areas of life is not clearly delineated; several noted the artistic values expressed in clothing and decorating onself and one´s house, in cooking and other mundane activities."(Aschenbrenner/Skinner 1983: 116).
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Contents
Introduction (G. Ansari and P. J. M. Nas)
1. Towards a Universal Urban Anthropology (A. Southall)
2. New Directions in Urban Anthropology (P. C. W. Gutkind)
3. The Struggle for the Third World City (W. J. M. Prins and P. J. M. Nas)
4. Charcteristics of Urban Growth in the Gulf States (G. Ansari and I. Qutub)
5. Urbanism, Urbanization and Underdevolpment: The West African Experience (O. Imoagene)
6. From Pre-Industrial to Modern Igbo Towns (A. A. Dike)
7. Viable Traditions in Urban Japan: Matsuri and Chonaikai (K. Aoyagi)
8. Family Art Traditions in Contemporary Society (J. Aschenbrenner and K. Skinner)
9. Divorce and Development in Kuwait (A. H. Hussein)
10. The Historical Development of Urban Anthropology in Venezuela (M. Suárez and R. Torrealba)
11. Urban Anthropology in the U. S. A.: Current Work and Directions for the Future (L. Plotnicov)
12. Past, Present and Future of Dutch Urban Anthropology (P. J. M. Nas and W. J. M. Prins)
Contributors
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Ansari, Ghaus/Nas, Peter J. M. (Editors) (1983) Town-Talk. The Dynamics of Urban Anthropology. Leiden: Brill.
Recently, I found some tests referring to Urban Legends: This is a field, which interests me lots. Talking about Urban Legends, I noted, that many of my friends reflect on some of these legends. Anyway, About.com has a domain on Urban Legends and Folklore, which suggests to research this vast field by applying scientific knowledge about mythology.
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8/31/2007 09:19:00 PM
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Research was undertaken by order of Kodak - Pathé. Bourdieu starts with 109 pages, which are the introduction and the first two chapters of the book. His elaboration about sociological theory and habitus precede Bourdieu´s statement on the model of motivations to practice photographs. He writes, that taking photos would be satisfactory in five ways: 1 Protection against time, 2 communication, 3 emotional expression, 4 self-realisation, under the aspect of social prestige and 5 escape from reality.
This implies functions of photography, namely 1 to lower fear relating to perishability and limited existence, 2 to ease communication with others and reconstruct togetherness or proof of interest and affection, 3 to provide a photographer´s media to self-realisation by magic appropriation or fascinating creation of the pictured object, and to experience power in expressing one´s feelings more intense, with an artistic intention or to manifest one´s techniqual mastership; 4 to meet demands of prestige by demonstrating consumption or recorded personal efforts; 5 to escape or dispel conditions of reality playfully. Bourdieu names motivations and settings of photographic practice by referring to the Habitus of social strata, then.
His analysis refers to Durkheim´s thesis on the function of festivities, and indicates the ritual characteristics behind photography. The photograph itself stands for the reproduction of the group and its integration. Photography therefore is expression and a medium for integration.
Here are the contents:
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Vorwort
Piérre, Bourdieu: Einleitung
Piérre, Bourdieu: Kult der Einheit und kultivierte Unterschiede
Piérre, Bourdieu: Die gesellschaftliche Definition der Photographie
Robert Castel/Dominique Schnapper: Aesthetische Ambition und gesellschaftliche Ansprueche
Luc Boltanski: Die Rhetorik des Bildes
Gérard Lagneau: Optische Tricks und Gaukelspiel
Jean-Claude Chambordeon: Mechanische, unkultivierte Kunst
Luc Boltanski/Jean-Claude Chamboredon: Fachwissen oder Begabung?
Teil III
Robert Castel: Bilder und Phantasiebilder
Anhang
Anmerkungen
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Bourdieu, Piérre / Boltanski, Luc / Castel, Robert / Chamboredon, Jean - Claude / Lagneau, Gérard / Schnapper, Dominique (2006) Eine illegitime Kunst. Die sozialen Gebrauchsweisen der Photographie. Hamburg: Europaeische Verlagsanstalt.
I am not through with the book, yet, but I found this lovingly sympathetic arguments: "The chaos provides the variability to permit an evolutionary process to discover more powerful and efficient solutions." (Kurzweil 2005: 45)
This paragraph says, that the more human beings live, the bigger is the pool for survival. This means more creativity and productivity can be reached through diversity. And this also means, the better we can communicate, the more opportunities we build to live. This option explains, why our future will show more quality via supporting cultural variety and diversity. The more manifold human beings evolve, the more possibilities we accomplish.
Kurzweil later on refers to sexual reproduction as a source for greater diversity, as he lists mutations and ever-changing environmental conditions in his example (rf. Kurzweil 2005: 46). In addition to his argument, in my interpretation concerning social consequences, he reasons designs of biology, namely "probabalistic fractals" and "deterministic fractals", "Genes supply the design information, but the detail in an organism is vastly greater than the genetic design information." (Kurzweil 2005: 46)
So it is clear as is the summer sun? (Shakespeare, Henry V)
As for intolerant, partial, biased and single-edged people: Beyond doubt therefore stands variability, diversity, variety and chaos. The old theories of a multi-cultural society prove too weak, because society does not (and cannot) explain how many is multi? (rf. Lukas - Hakami - lecture: Beruehmte Kontroversen in der Anthropologie).
Kurzweil, Ray (2005) The Singularity Is Near. U. S. A.: Penguin Books
Fame Sybil: http://www.bloggingtofame.com/action.php?view=profile&id=1358
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8/23/2007 02:15:00 PM
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© Sybille Amber: Intellectual Property 2005/2006/2007
blackaustria announces its program on blackaustria.at: Black people in Austria still have lots of problems. Discrimination - see also: ENAR Fact Sheet on multiple, compound and intersectional discrimination (*.pdf, 119,62 KB) - is still a part of day-by-day life in Austria. blackaustria therefore started a so-called communication campaign to explain and train reductions of prejudices. Biased opinions, ignorance and partiality derive from little knowledge, stereotypes need enlightenment. Individuals may support community work by writing articles in their blogs, papers or reports. This is why I will implement this banner on Anthropologic Diary, I feel deeply moved by having been invited for a project presentation. I would like to direct you to these studies published, they are in German and relate to the impact of the communication campaign on a. elders, b. people without High School Diploma in Vienna and c. the Black Community.
This party has Leiberltausch as its motto, T - Shirts will be presented this evening in September.
This project won with the Sozialmarie 2007 in the category new and innovative social projects!
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8/21/2007 07:51:00 PM
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I edited and cut this video, then published it on YouTube: http://www.youtube.com/watch?v=KOdMfU3S0Zc . Thanks to the Austrian ORF I could copy an old VHS to DVD in best quality, possible - on my machine. This is the Barrelhouse Jazzband located in Vienna in the 1960s of the 20th century: Heinz Feix (b), Peter Hoffmann (p), Otti Kitzler (t), Horsti Bichler (dr), Alfons Wuerzl (cl) and Norbert Vas (tb) are the musicians. They perform three pieces of Jazz, which were very popular in the 1920s: 1 is called Where Am I?, the second is the Flat Foot Floogie, the third on the Shimmy Sha Wabble.
Vienna - Barrelhouse Jazzband
This kind of Jazz focuses on entertainment, it was played in the cafés and bars, but also on the streets in the Deep South. The Barrelhouse Jazzband Vienna was honored for best classical Jazzband in the sixties, as were some of the musicians: Horsti Bichler, the drummer, and my daddy, Otti Kitzler playing trumpet and English horn. The BHBJ refers to the Chicago Style and Dixieland. They published several CDs, recently, and earlier a single and the famous Pferdeplatte.
Here I found something about the Flat Foot Floogie at Ethnopoetics including the lyrics. Jerome Rothenberg writes about lyrics:
"While the initial focus of ethnopoetics was on orality and performance, the discourse turned as well to the visible aspects of language — writing & inscription — both as a persistent contemporary concern & as an often unacknowledged kingpin of a revitalized & expanded ethnopoetics. In an age of cybernetic breakthroughs, the experimental tradition of modernist poetry & art has expanded our sense of language in all its forms, the written along with the oral. In doing this, it should also have sensitized us to the existence of a range of visual/verbal traditions and practices, not only in literate cultures but in those also that we have named "non"- or "pre"-literate — extending the meaning of literacy beyond a system of (phonetic) letters to the fact of writing itself." (Rothenberg: http://www.ubu.com/ethno/visuals.html).
Popularizing the Shimmy in America tells its story. The shimmy was a new kind of dancing dating back to 1910, and "One of the most talked-about dances of the time was `the shimmy`."(Bryant, Rebecca 2002 at JStor: American Music).
The best way to learn about Jazz is to listen to the music: Listen to the sounds and try to get the lyrics. There are lots of internet sites about Jazz. Here are related links:
All About Jazz: http://www.allaboutjazz.com/
Big Band Database: http://nfo.net/
Jazzology: http://www.jazzology.com/jazzology_records.php
Chicago Jazz Archive: http://www.lib.uchicago.edu/e/su/cja/
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Sybil Amber
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8/19/2007 03:13:00 PM
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Labels & Tags africa, america, anthrotips, jazz, musix, muzak, pix, research, socioculturalanthro
I found this book on the news board of the library. I think the issue of Creativity is a central and vital one for artists, as well as it is for publishers, critics and art consumers. Theories of Creativity are questioned in the first part of the book, four authors discuss effects, politics, reasons and values of art in nowadays society. Part two informs the reader about Industries of Creativity: What is meant by this phrasing? It reminds me on the late eighties installations and implementations of Art, especially the sociolect having been used by some artists in Vienna, then. Four writers explain the philosophy behind Creative Industries, one of them gives an example of the development of micro economics and influence on arts in London. The third part offers insights into precarious situations of artists and art production. Part four presents thoughts on critique by artists, social critique and communication. Finally, Art and Innovation offers not only a historical view on Impressionism, we also learn, that joking was an example of how tightly the approach to creativity is laced.
The book is written in German, published by Turia & Kant at Kritik der Kreativitaet, here are the contents in *.pdf.
Raunig, Gerald / Wuggenig, Ulf (Ed.) (2007) Kritik der Kreativitaet. republicart 6. Wien: Turia & Kant
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Sybil Amber
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8/17/2007 09:47:00 PM
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Labels & Tags anthrotips, art, bibliotheque, interview, politix, research
Ich moechte Interesenten anbieten, Texte zum Thema Singularitaet in Bezug zu Kultur- und Sozialanthropologie einzuschicken. Bitte editiert, redigiert und im *.doc, sowie *.pdf Format. Die gesammelten Texte sollen in einem Journal im Jahr 2008 veroeffentlicht werden: Titel der Publikation: A. L. J. mit Schwerpunkt Singularitaet. Die ausschliesslich elektronische Publikation ermoeglicht es AutorInnen, Gedanken zum Themenbereich in deutscher, englischer oder franzoesischer Sprache zu publizieren. Im Anschluss kann ich mir eine virtuelle Konferenz zum Thema vorstellen. Live Chats oder Videochats koennen Teilnehmende miteinander verbinden, die individuelle Location waere also nicht wesentlich. Bitte weitersagen: http://members.chello.at/asfiles
I would like to offer you the opportunity to publish texts on Singularity and Anthropology. Please edit and send in *.doc and *.pdf formats. I would like to publish an electronic journal in 2008: A. L. J. on Singularity. Authors may therefore publish their thoughts on Singularity in relation to Social and Cultural Anthropology in English, French or German. Probably things become so interesting, that a Conference about this field might be set up, providing chat and video chats. Please spread widely: http://members.chello.at/asfiles
1 Open Journal Services: OJS is a software bundle to publish monthly, quarterly or yearly journals on behalf of interest. The GNU Licence allows to alter configuration and to distribute scientific work widely.
2 Open Conference Services: OCS is a kind of conference server implementation including lots of tools to deploy and manage papers and articles.
Amber, Sybil: Curriculum Vitae
A. L. J. Blog: http://anthropologicjournals.blogspot.com
PKP Software & Services: http://pkp.sfu.ca/software_and_services
© Sybille Amber: Intellectual Property 2005/2006/2007
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Sybil Amber
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8/16/2007 06:41:00 PM
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Labels & Tags anthropology, anthrotips, human, news, research, socioculturalanthro
This book was newly acquired by "our" librarian Dr. Erika Neuber (she has a few prefixes more). I grabbed it from the Institute´s library, when it was in the Newly Acquired section. First I did not know what to begin with it, since I am a sceptic and critical person. I respect, of course, the science psychology, but the question was: How would I accept a Western (1) scientific approach, namely the psychological one, to worldwide cultures? Wouldn´t this rather support - you name it! - euro-centric argumentation?
Three parts divide the book into fields, wherein articles are collected: The Introduction by Michael Rustin makes clear, that this book came from a series of conferences to focus on "different ways of thinking about the relations between Culture and the Unconscious" (Rustin 2007: 1). Rustin explains differing understandings of the unconscious from the view of psychoanalysis and creative artists´work. He refers Part 1 to the dialogue of various ways to inform each other, namely the academic psychoanalysis and cultural practices. Part 2 deals with the symbolization of trauma in artistic unconscious mental processes. Part 3 reflects clinical practitioners approach to works of art and their production.
In Part1 Psychoanalysis and Culture. Historical and Theoretical Encounters the reader finds six chapters:
Part 2: Culture and Trauma as Working Through makes up an Introduction and four chapters:
Part3: The View from the Clinic, again an Introduction peers five chapters:
Finally, the Conclusion: Clinical and Academic Psychoanalytic Criticism authored by Susannah Radstone offers an explicit view on the Differences that Matter! Radstone goes back to Freud to start with statement, that "psychoanalysts have continued to write on culture and the arts" (Radstone 2007: 242). ___________________________________________________________________________________________
(1) Please refer to Maurice Godelier´s critique on the Western model of society
Bainbridge, Caroline / Susannah Radstone / Rustin, Michael / Yates, Candida (Editors) (2007) Culture and the Unconscious. London: Palgrave Macmillan
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Sybil Amber
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7/29/2007 08:47:00 PM
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Labels & Tags anthropology, anthrotips, psych, research, socioculturalanthro
© Sybille Amber: Intellectual Property 2005/2006/2007